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Sabtu, 28 Januari 2012
Sabtu, 27 Agustus 2011
Metal Massacre – 1982 (First Release)
First Pressing
- "Cold Day in Hell" - Steeler - 4:17
- "Live for the Whip" - Bitch - 5:19
- "Captive of Light" - Malice - 3:21
- "Tell the World" - Ratt - 3:16
- "Octave" (instrumental) - Avatar - 3:48
- "Death of the Sun" - Cirith Ungol - 3:56
- "Dead of the Night" - Demon Flight - 2:35
- "Fighting Backwards" - Pandemonium - 3:44
- "Kick You Down" - Malice - 4:28
- "Hit the Lights" - Metallica (Listed as "Mettallica") - 4:25
Rabu, 03 Agustus 2011
Pathology - Legacy Of The Ancients (2010)
The Black Dahlia Murder - Ritual (2011)
Album: RitualGenre: Death Metal
Location: USA
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Selasa, 02 Agustus 2011
All Shall Perish - This Is Where It Ends (2011)
Album: This Is Where It Ends
Genre: Death Metal, Deathcore
Location: Oakland, CA
1. Divine Illusion
2. There Is Nothing Left
3. Procession of Ashes
4. Pure Evil
5. Embrace The Curse
6. Spineless
7. The Past Will Haunt Us Both
8. Royalty Into Exile
9. My Retaliation
10. Rebirth
11. The Death Plague
12. In This Life of Pain
13. Royalty Into Exile (Spanish version)
Download
Senin, 01 Agustus 2011
Job For A Cowboy - Doom EP (2005)
Album: Doom EP
Genre: Deathcore
Tracklist
1. Catharsis For The Buried
2. Entombment Of The Machine
3. Relinquished
4. Knee Deep
5. Rising Tide
6. Suspended By The Throat
7. Entities
Fleshgod Apocalypse - Agony (2011)
Album: Agony
Genre: Technical Death Metal
Location: Italy
01. Temptation
02. The Hypocrisy
03. The Imposition
04. The Deceit
05. The Violation
06. The Egoism
07. The Betrayal
08. The Forsaking
09. The Oppression10. Agony
Download
Genre: Technical Death Metal
Location: Italy
01. Temptation
02. The Hypocrisy
03. The Imposition
04. The Deceit
05. The Violation
06. The Egoism
07. The Betrayal
08. The Forsaking
09. The Oppression10. Agony
Download
Sabtu, 14 Mei 2011
Deicide
Deicide is an American death metal band formed in 1987. Their first two albums, Deicide and Legion, are ranked second and third place in best-selling death metal albums of the SoundScan era.
History
As Amon/Carnage (1987–1989)
Glen Benton, 2009
Deicide was formed in Tampa, Florida on July 21, 1987, after guitarist Brian Hoffman called Glen Benton, replying to an advertisement the latter had placed in a local music magazine. They are influenced by bands such as Destruction, Sodom, Venom, Bathory, Mayhem, Possessed, Death, Autopsy (band) and Slayer. The band consisted of Benton (bass/vocals), Hoffman, Hoffman's brother Eric (guitars) and Steve Asheim (drums). Within a month, they had recorded crude Feasting the Beast 8-track demo in Benton's garage and had started playing the occasional gig in the Tampa area. In 1989, Amon recorded their second demo, Sacrificial, at Morrisound with producer Scott Burns.
After a number of lineup changes, Benton assumed the additional role of vocals and the band was renamed Carnage.
Malevolent Creation guitarist Phil Fasciana recalls an early Carnage show: "It was like Slayer intensified a thousand times." "I guess Carnage had hollowed out a mannequin and filled it with fuckin' blood and guts from a butcher shop... and then they threw the fuckin' thing on the floor. Morbid Angel had these pit bulls with them back then and they were just tearing the meat up. It was a really weird scene, man. There was blood and meat everywhere."
As Deicide (1989–2004)
Benton reportedly stormed into Roadrunner Records' A&R man Monte Connors' office and presented him with the demo, saying, "Sign us, you fucking asshole!" The next day contracts were issued to the band.[6] In 1989 the band's name was changed to Deicide at the request of Roadrunner Records.
Deicide then released their self-titled debut album, also produced by Scott Burns at Morrisound, in 1990. Their debut featured re-recorded versions of all six of the Sacrificial tunes that had secured them their record deal.
Both Eric and Brian tended to play technical solos at fast speeds and with overlapping riffs, which gave Deicide the definitive heavy sound and complex song structures. This lineup remained intact until November 25, 2004 in the wake of increasing animosity between Glen Benton and the Hoffman brothers allegedly in regards to royalties and publishing.
Post-Hoffman brothers period (2004–present)
Shortly after, the guitar roles were then filled by ex-Cannibal Corpse guitarist Jack Owen, and Vital Remains guitarist Dave Suzuki. Following the tour, Suzuki was replaced by Ralph Santolla, formerly of Death, Iced Earth and Sebastian Bach. Santolla stated he is a Catholic and this has received a small amount of shock and ridicule from some metal fans. In spite of this, Deicide's eighth studio album The Stench of Redemption album received rave reviews, and is one of their biggest sellers yet.
On May 24, 2007, it was announced Ralph Santolla had left Deicide. Subsequently, he joined Florida's Obituary and appears on their album Xecutioner's Return as well as the tour. Then on July 20, 2007 guitarist Jack Owen (ex-Cannibal Corpse) announced that Deicide is "on hiatus" and he has joined Ohio based death/thrash combo Estuary for touring purposes. The band did a Balkan tour, dubbed "Balkans AssassiNation Tour", in October 2007 alongside Krisiun, Incantation and Inactive Messiah.
By November 2007 Deicide began work on its ninth studio album at Florida's Morrisound Studios. Entitled Till Death Do Us Part, the follow-up to 2006's The Stench of Redemption promised to be Deicide's "most savage and aggressive [offering] to date," according to a press release. Drummer Steve Asheim recorded drum tracks and Benton started recording vocals in December. By April 2008 two songs off this album were posted online. It was finally released on April 28, 2008.
On January 6, 2009, Deicide posted a blog on their official Myspace page saying they had signed a worldwide record deal with Century Media, with Ralph Santolla returning to the band for a European tour. They were said to be working on material for a summer 2010 release.
Guitarist Kevin Quirion of Order of Ennead joined the band in the summer of 2009.
In early 2009 they toured with Vital Remains and Order of Ennead.
In June 2010, Glen Benton revealed that the next Deicide album was to be titled To Hell with God.[11] It was produced by Mark Lewis at Audiohammer Studios in Sanford, Florida and was finally released on February 15, 2011.
Controversy
Deicide has received considerable controversy relating to their albums and lyrics, which include vehement anti-Christian themes, such as Death to Jesus, "Fuck Your God", "Kill the Christian","Behead The Prophet" and "Scars of the Crucifix", among others. Drummer Asheim of Deicide said "The whole point of Satanic music is to blaspheme against the Church", "I don't believe in or worship a devil. Life is short enough without having to waste it doing this whole organised praying, hoping, wishing-type thing on some superior being".
Most of the controversy surrounded frontman Benton for a rash of shocking interviews and wild statements. Benton has repeatedly branded an inverted crucifix into his forehead on at least 12 different occasions. During an interview with NME Magazine, he shot and killed a squirrel with a pellet gun to prevent any further damage to his electrical system in the attic at the location the interview was held. Often taken out of context, this act garnered negative attention from critics and some animal rights activists. Benton had professed beliefs in theistic satanism during Deicide's early years, claimed to slaughter rodents for fun, and that he held beliefs in demonic possession and that he was possessed. Such statements had eventually been concluded as tongue-in-cheek and little more than sensationalism by band members questioned alternatively.[16] Additionally, Benton claimed in the early 1990s that he would commit suicide at the age of 33 to "mirror" a lifespan opposite that of Jesus Christ (however, he passed that age in 2000 and did not commit suicide, rebutting in 2006 that these statements had been "asinine remarks" and that "only cowards and losers" choose to kill themselves).
Deicide has been banned from playing in several venues (such as Valparaiso, Chile over a promotional poster featuring Jesus Christ with a bullet hole in his forehead) and with various festivals such as Hellfest, after several graves had been spray-painted with "When Satan Rules His World", which is a song from Deicide's 1995 album Once Upon the Cross. More recently, their music video for "Homage for Satan", which features blood-splattered zombies on a rampaging mission to capture a priest, was banned from UK music TV channel Scuzz.
In the early 1990s, Deicide was on tour in Europe with Gorefest, a Dutch death metal band. In Stockholm, during Gorefest set, a bomb was discovered on-stage. It exploded in the club in which they were playing. The bomb was located to the rear of the stage, behind a heavy, fireproof door. The explosion was big enough to deform the door and blow it off its hinges. Deicide managed to play three songs before the police decided to stop the concert and evacuate the club. At first, Benton blamed that attack on the Scandinavian black metal scene, where Deicide's brand of death metal was despised. This however was not the case since many of the key members of the black metal scene were present at the show, including the Mayhem guitar player, who was not only at the concert but also working as a DJ. Many people blamed animal rights activists who were angered at Deicide's lyrical themes of animal sacrifice
Members
Current
* Glen Benton – lead vocals, bass (since 1987)
* Jack Owen – guitars (since 2004)
* Ralph Santolla – guitars (2005–2007, 2008 (session), since 2010)
* Steve Asheim – drums, percussion, occasional guitars (since 1987)
Former
* Brian Hoffman – guitars (1987–2004)
* Eric Hoffman – guitars (1987–2004)
* Kevin Quirion – guitars (2008–2009, 2009–2010)
Session
* Dave Suzuki – guitars (live, 2004–2005)
* Seth Van Loo – lead vocals (2007), as substitute for Glen Benton
* Dariusz "Garbaty" Kułpiński – lead vocals, bass (2007), as substitute for Glen
Benton
Discography
Studio albums
* Deicide (1990)
* Legion (1992)
* Once Upon the Cross (1995)
* Serpents of the Light (1997)
* Insineratehymn (2000)
* In Torment in Hell (2001)
* Scars of the Crucifix (2004)
* The Stench of Redemption (2006)
* Till Death Do Us Part (2008)
* To Hell with God (2011)
Source : Wikipedia
Kamis, 02 Oktober 2008
Cradle of Filth
Cradle of Filth are an English metal band, formed in Suffolk in 1991. The band's musical style evolved from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic black metal and other extreme metal styles, while their lyrical themes and imagery are heavily influenced by gothic literature, poetry, mythology and horror films.
The band has broken free from its original niche by courting mainstream publicity (often to the chagrin of its early fanbase), and this increased accessibility has brought coverage by the likes of Kerrang! and MTV, frequent main stage appearances at major festivals such as Ozzfest, Download, and even the mainstream Sziget Festival, and in turn a more "commercial" image. They have sometimes been perceived as Satanic by casual observers, although their outright lyrical references to satanism are few and far between, and use of Satanic imagery has arguably always had more to do with literary allusion and the shock value than any seriously-held beliefs. According to a 2006 issue of Metal Hammer magazine, they are the most successful British heavy metal band since Iron Maiden.
Cradle of Filth's first three years saw three demos and a rehearsal tape recorded amidst the sort of rapid line-up fluctuations that have continued ever since, the band having more than twenty musicians in its history. The band also recorded an unreleased album entitled Goetia prior to the third demo and their style shift. Goetia was set for release on Tombstone records, but all tracks were wiped when Tombstone went out of business and could not afford to buy the recordings from the studio. The band eventually signed to Cacophonous Records and their debut album, The Principle of Evil Made Flesh, was also Cacophonous's first release in 1994. A step up in terms of production from the rehearsal quality of most of their demos, the album was still nevertheless a sparse and embryonic version of what was to come, with lead singer Dani Filth's vocals in particular bearing little similarity to the style he was later to develop. The album was well-received however, and as recently as June 2006 found its way into Metal Hammer's list of the top ten black metal albums of the last twenty years.
Cradle's relationship with Cacophonous soon soured; the band accusing the label of contractual and financial mismanagement. Acrimonious legal proceedings took up most of 1995, and the band finally signed to Music for Nations in 1996 after only one more contractually obligated Cacophonous recording: the EP V Empire (Or Dark Faerytales in Phallustein) which, it has since been conceded, was hastily written as a Cacophonous escape-plan. Despite the circumstances of its release however, its handful of tracks are staples of the band's live sets to this day, and "Queen of Winter, Throned" was listed among twenty-five "essential extreme metal anthems" in a 2006 issue of Kerrang! magazine. The EP also marked Sarah Jezebel Deva's debut with the band, replacing Andrea Meyer, Cradle's first female vocalist and self-styled "satanic advisor". Deva appeared on every subsequent Cradle release and tour until Darkly, Darkly, Venus Aversa, but was never considered a full band member, since she also performed with The Kovenant, Therion and Mortiis, and fronted her own Angtoria project along with Cradle's current bass player, Dave Pybus.
Dusk... and Her Embrace followed the same year: a critically acclaimed breakthrough album that greatly expanded the band's fan-base throughout Europe and the rest of the world. A concept album of sorts based generally on vampirism and specifically (though loosely) on the writing of Sheridan Le Fanu, Cradle's inaugural album for Music for Nations set the tone for what was to follow. The album's production values matched the band's ambition for the first time, whilst Dani's vocal gymnastics were at their most extreme.
The increasingly theatrical stage shows of the 1997 European tour helped keep Cradle in the public eye, as did a burgeoning line of controversial merchandise; not least the notorious t-shirt depicting a masturbating nun on the front and the slogan "Jesus is a cunt" in large letters on the back. The t-shirt is banned in New Zealand, a handful of fans have faced court appearances and fines for wearing the shirt in public, and some band members themselves attracted a certain amount of hostile attention when they wore similar "I Love Satan" shirts to the Vatican. Alex Mosson, the Lord Provost of Glasgow from 1999–2003, called the shirts (and by implication the band) "sick and offensive". The band obviously approved, using the quote on the back cover of the 2005 DVD Peace Through Superior Firepower.
In 1998, Dani began his long-running "Dani's Inferno" column for Metal Hammer, and the band appeared in the BBC documentary series Living With the Enemy (on tour with a fan and his disapproving mother and sister)and released its third full-length album Cruelty and the Beast. A fully-realised concept album based on the legend of the "Blood Countess" Elizabeth Bathory, the album boasted the casting coup of Ingrid Pitt providing guest narration as the Countess: a role she first played in Hammer's 1971 film Countess Dracula. The album led to Cradle's U.S debut, and Dani claimed it in 2003 as the Cradle album of which he was most proud, although he conceded dissatisfaction with its sound quality.
The following year the band continued primarily to tour, but did release its first music video, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. Replete with graphic nudity and gore, the video was directed by Alex Chandon, who would go on to produce further Cradle promo clips and DVD documentaries, as well as the full-length feature film Cradle of Fear. The band released their fourth full-length studio album on Hallowe'en, 2000. Midian was based around the Clive Barker novel Cabal and its subsequent film adaptation Nightbreed. Like Cruelty and the Beast, Midian featured a guest narrator, this time Doug Bradley, who starred in Nightbreed but remains best known for playing Pinhead in the Hellraiser films. Bradley's line "Oh, no tears please" from the song "Her Ghost in the Fog" is a quote of Pinhead's from the first Hellraiser ("No tears, please. It's a waste of good suffering...")and Bradley would reappear on later albums Nymphetamine, Thornography, and Godspeed on the Devil's Thunder. The video for "Her Ghost in the Fog" received heavy rotation on MTV2 and other metal channels, and the track also found its way onto the soundtrack of the werewolf movie Ginger Snaps (it would also feature, much later, in the video game Brütal Legend).
Sony interlude (2001-2004)
The longest-ever interim period between full-length Cradle albums was nevertheless a busy time for the band. Bitter Suites to Succubi was released on the band’s own "Abracadaver" label, and was a mixture of four new songs, re-recordings of three songs from The Principle of Evil Made Flesh, two instrumental tracks, and a cover of The Sisters of Mercy's "No Time To Cry." Stylistically similar to Midian, the album is unique among Cradle albums in featuring exactly the same band members as its predecessor, but is generally regarded as an EP and often overlooked in the band's canon. Further stop-gap releases followed in the form of the "best of" package Lovecraft and Witch Hearts and a live album, Live Bait for the Dead. Finally, the band (principally Dani) also found time to appear in Cradle of Fear while they negotiated their first major-label signing with Sony Music. Damnation and a Day arrived in 2003; Sony's heavyweight funding underwriting Cradle's undiminished ambition by finally bringing a real orchestra into the studio (the 80-strong Budapest Film Orchestra and Choir replacing the increasingly sophisticated synthesizers of previous albums) and thus marking the band's belated gestation - for one album only - into full-blown symphonic metal. Damnation featured the band’s most complex compositions to date, outran its predecessors by a good twenty minutes, and produced two more popular videos: the Švankmajer-influenced Mannequin, and Babalon AD (So Glad For The Madness), based on Pasolini's infamous Salò. Roughly half the album trod the conceptual territory of John Milton's Paradise Lost - showing the events of the Fall of Man through the eyes of Lucifer[10] - while the remainder comprised stand-alone tracks such as the Nile tribute "Doberman Pharaoh" and the aforementioned "Babalon AD"; a reference to Aleister Crowley. "Babalon AD" was the first DVD-only single to reach the U.K. top 40, according to the Guinness Book of Records of British Hit Singles and Albums. Feeling that Sony's enthusiasm quickly palled however, Cradle jumped ship to Roadrunner Records after barely a year.
Move to Roadrunner (2004-2010)
2004's Nymphetamine was the band's first full album since The Principle of Evil Made Flesh to not be based around any sort of overarching concept (although references to the works of H. P. Lovecraft are made more than once). Cradle's bassist Dave Pybus described it as an "eclectic mix between the group's Damnation and Cruelty albums with a renewed vigour for melody, songmanship [sic] and plain fucking weirdness." Nymphetamine debuted at #89 on the Billboard Top 200 chart selling just under 14,000 copies, and the band's growing acceptance by the mainstream was confirmed when the album's title track was nominated for a Grammy award.
Thornography, was released in October 2006. According to Dani Filth, the title "represents mankind's obsession with sin and self... an addiction to self-punishment or something equally poisonous... a mania." On the subject of the album's musical direction, Filth told Revolver magazine, "I'm not saying it's 'experimental', but we're definitely testing the limits of what we can do... A lot of the songs are really rhythmical - thrashy, almost - but they're all also really catchy." A flurry of pre-release controversy saw Samuel Araya's original cover artwork scrapped and replaced in May 2006, although numerous CD booklets had already been printed with the original image. Thornography received a similar reception to Nymphetamine, garnering generally positive reviews, but raising a few eyebrows with the inclusion of a cover of Heaven 17's "Temptation" (featuring guest vocals from Dirty Harry), which was released as a digital single and accompanying video shortly before the album. Thornography entered the Billboard chart at #66, having sold nearly 13,000 copies.
Long-term drummer Adrian Erlandsson departed the band in November 2006, with the intention of devoting his energies to his two side projects Needleye and the currently touring (2010) Nemhain. The official press release from Roadrunner saw Erlandsson state "I have enjoyed my time with Cradle but it is now time to move on. I feel I am going out on a high as Thornography is definitely our best album to date".He was replaced by Martin Škaroupka.
Work on the eighth studio album, released in October 2008 as Godspeed on the Devil's Thunder, began early that year following a GWAR-supported tour which took in Russia, the Ukraine, the UK, Romania, Slovakia and North America. Godspeed was a concept album based around the legend of Gilles De Rais, a 15th-century French nobleman who fought alongside Joan of Arc and accumulated great wealth before becoming a satanist, sexual deviant and murderer. Kerrang! preferred the album to the "relatively weak" Thornography, calling it "grandiose and epic", while Metal Hammer said it had "genuine narrative depth and emotional resonance", and Terrorizer called it "cohesive, consistent and convincing". It sold 11,000 copies in its week of release, entering the Billboard 200 at #48.
Peaceville Records (2010-Present)
Cradle's relationship with Roadrunner came to an end in April 2010, with the announcement that the band's next album would be released by the British independent label Peaceville Records, using Cradle's own Abracadaver imprint.Dani Filth cited "the artistic restrictions and mindless inhibitions imposed by a major label" as the band's reason for going independent.Early press releases named the new album All Hallows Eve,but by August 2010 the title was confirmed as Darkly, Darkly, Venus Aversa.Released on November 1, 2010, it is a concept album in the same vein as its predecessor, Godspeed on the Devil's Thunder; this time centering on the demon Lilith, the first wife of the Biblical Adam,and also making reference to Greek, Egyptian and Sumerian mythology, the Knights Templar and the Carmelite Nuns. The label referred to it as "a dark tapestry of horror, madness and twisted sex".,while Filth called its sound "creepily melodic, like Mercyful Fate or a dark Iron Maiden".Metal Hammer's Dom Lawson felt it was "another sumptuous and spectacular eruption of gothic melodrama, perverted sonic schlock and balls-out extreme metal bombast", and likened it to an "instalment in an ongoing series of novels."
Cradle's next project has been announced as an orchestral album titled Midnight in the Labyrinth, which, according to Dani Filth, will "reinvent" tracks from the band's first four albums as "full soundtrack quality stuff... with choirs, strings and some narration". The album was approaching completion in November 2010 and is set to be released in 2011.
Genre
Cradle of Filth's particular subgenre has provoked a great deal of discussion, and their status as a black metal band or otherwise has been in debate since near the time that the group rose to fame Dani, in a 1998 interview for BBC Radio 5 for example, said "I use the term heavy metal, rather than black metal, because I think that's a bit of a fad now. Call it what you like: death metal, black metal, any kind of metal...",while Gavin Baddeley's 2006 Terrorizer interview states that "few folk, the band included, call Cradle black metal these days."
The band's style has been described as symphonic black metal,gothic black metal,and dark metal.However, the band's evolving sound has allowed them to continue resisting definitive categorisation. They are audibly influenced by Iron Maiden, have collaborated on projects like Christian Death's Born Again Anti-Christian album (on the track "Peek-A-Boo"), and have even dabbled outside of metal music with dance remixes ("Twisting Further Nails", "Pervert's Church" etc), although these have fallen by the wayside in recent years. In a 2006 interview with Terrorizer magazine, current guitarist Paul Allender said "We were never a black metal band. The only thing that catered to that was the make-up. Even when The Principle of Evil Made Flesh came out — you look at Emperor and Burzum and all that stuff — we didn't sound anything like that. The way that I see it is that we were, and still are now, an extreme metal band."
Appearing on the BBC music quiz Never Mind the Buzzcocks on April 9, 2001, Filth jokingly claimed Cradle's sound as "heavy funk", and in an October 2006 interview stated "we'd rather be known as solely 'Cradle of Filth', I think, than be hampered by stupid genre barriers."
Albums :
* The Principle of Evil Made Flesh (1994)
* Dusk... and Her Embrace (1996)
* Cruelty and the Beast (1998)
* Midian (2000)
* Damnation and a Day (2003)
* Nymphetamine (2004)
* Thornography (2006)
* Godspeed on the Devil's Thunder (2008)
* Darkly, Darkly, Venus Aversa (2010)
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